I became mildly obsessed with making lei po`o after taking workshops with Honolulu Parks and Recreation with master lei maker Kumu Cynthia Hopkins, and others. It’s a sensual, meditative body and mind immersive experience. Over this past month, I’ve been making several each week, experimenting, learning, and giving them away.
As a budding lei maker, I’m relating much more deeply with the `āina, paying closer attention than ever, to the plant life around me, even along the sides of the road. I’m in deeper communication with the plants, thinking of how Queen Lili`uokalani would bow to the flowers in her garden and ask permission of them before picking. For the most part, the trees seem to love the attention, and happy to let go of their blossoms, so that they can redirect their energy, as long as I do not overpick. I only take what I need, and snip strategically so as not to cause harm. Foraging for lei material has made me appreciate every part of the plants, and stages of growth, from the sweet little closed buds, to the shapes, textures, and sizes of the leaves. As I walk through the garden, I imagine combinations of colors, fragrances, and textures. I especially love the sprays of palm flowers before they bloom, and hinahina (Spanish moss, Pele’s Hair) that grows draped on trees and fences. I never paid much attention to these humble plants before I started making lei.
Making lei is an act of devotion to `āina, a practice of malāma `āina, and aloha `āina. For me it’s a practice of decolonizing and reindigenizing. I am not indigenous to the land I currently inhabit, but taking care of my immediate surroundings reconnects me to my own ancestry. My friend Schantell, from Wai`anae, but living in Michigan, makes lei there, using anything and everything available to her, from maple leaves, to oaks, to flowering plants. I realize that we can create ephemeral beauty out of anything. We just have to open our eyes and our senses and our imaginations.
My friend used to have a job selling lei to tourists in Waikiki, and they frequently encountered tourists who simply could not fathom why they would spend money on something that would die. Fresh lei are created to bring us intense joy and pleasure for a short time, then return to the earth, to nourish the next generation. As a death-phobic, capitalist society, we want a big bang for our buck, and that includes posterity. Just look at all those tech bros obsessed with longevity. But instead, lei teach us to let go, to move on, to decompose, with grace and dignity, happy to nourish future life.
As I was creating lei after lei, friends started asking me if I planned to sell them. As it turns out, I inherited my mother’s “maker” genes, and I’m pretty good at handwork, and have an eye for combination. I’m learning that a beautiful lei po`o has rhythm, breath, repetition, as well as color, pattern, and even a feeling of narrative. Each lei is singing a song, telling a story. The unique combination of elements in each lei make it a living being. I'm even tempted to name it. When the lei is complete, it requires admiration, photos, adoration. I wet it, gently wrap it in a towel, put it in the fridge overnight, then wake up in the morning remembering the lei and wanting to look at it and touch it again.
Despite compliments received, I really did not want to sell any lei. I did not want to turn a passion into a pressured, perfectionist obligation. Plus it didn’t feel quite right to try to profit from the generosity and gifts of the `āina, especially since I’m a settler, and not native to the land. Every day, Hi`iaka presents us with overwhelming and abundant beauty. At my residence alone, we have huge, overflowing kalauna (crown flower) trees, pua melia (plumeria), mangos, noni, and much more.
However, I received a message as I was driving across the island one day. As a resident of Waimānalo, I cross the island and the truly magnificent Ko`olau mountains several times a week. To tell you the truth, it feels very kapu to make this crossing. I think of the days before the highways, when kānaka had to cross by foot or horseback. How forbidding the mountains and valleys are, how dangerous, and how sacred. I recognize the controversial history of interstate H-3, and the desecration of sacred sites I am driving over. As I make this crossing, I turn off the radio, I take a soft, slow breath, and do my best to center myself. I chant to the mountains, and pray, asking for guidance, and wisdom, and protection. I offer myself as a servant to the `āina. As I drove home one evening, the message came all at once, with great clarity: make lei to support Palestine. At that moment, Lei Po`o for Palestine was birthed. The purpose is to sell the lei, on a sliding scale donation basis, to raise money for the Wai Nau Aloha Water Project. Also, the Ko`olaus helped me realize I didn’t have to make the lei alone, but rather as a hui, inviting others to participate.
Our little hui met this weekend for the first time, and we created 3 lei po`o, 1 pua melia lei ā`ī, and 8 kalauna lei ā`ī! Amazing, beautiful work. The next day I made 2 more lei po`o. Make sure to check out our photo gallery. It feels pono to share the abundance of Hawai`i with the people of Palestine, 2 million of whom are still in Gaza, after 19 months of devastation, and now, out and out starvation. Hawai`i and Palestine, and for that matter, Korea, share similar histories of illegal occupation. As we yell, FREE PALESTINE, we also demand rights, reparations, demilitarization, and landback to Kanaka Māoli, and reunification of the Korean peninsula. The Wai Nau Aloha Water Project has been providing direct food and water aid on the ground in Gaza, by Palestinian relatives of a Honolulu resident.
If this story resonates with you, and you would like to support the people of Palestine, while acquiring a beautiful, custom-made lei (of any sort), please message @lei4palestine on Instagram, or email or text me directly. Suggested donation is $50-100+.
Free Hawai`i, Free Palestine, Free Korea! From the abundance of the island, with eternally bountiful aloha.